Max Planck Institute For The History of Science – Sounds Of Science
May 26th, 2010
Contents (to view click on link below post):
Introductory Remarks
Julia Kursell
„Erzklang“ oder „missing fundamental“:
Kulturgeschichte als Signalanalyse
Bernhard Siegert
Klangfiguren (a hit in the lab)
Sound Objects
Julia Kursell
A Cosmos for Pianoforte d’Amore: Some Remarks
on “Miniature
Estrose” by Marco Stroppa
Florian Hoelscher
The “Muscle Telephone”: The Undiscovered Start of Audification in the 1870s
Silence in the Laboratory: The History of Soundproof Rooms
Henning Schmidgen
Cats and People in the Psychoacoustics Lab
The Resonance of “Bodiless Entities”:
Some Epistemological Remarks on the Radio-Voice
Wolfgang Hagen
VLF and Musical Aesthetics
Douglas Kahn
Ästhetik des Signals
Daniel Gethmann
Producing, Representing, Constructing: Towards a Media-Aesthetic
Theory of Action Related to Categories of Experimental Methods
Elena Ungeheuer
Standardizing Aesthetics: Physicists, Musicians, and Instrument Makers in
Nineteenth-Century Germany
>>> View Doc (PDF ~13mb)
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