The first Surround Sound installation.

Read Full Article @ the modernmechanix blog.

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“Peter Greenaway, director, filmmaker and composer talking about the relationship of music, sound, image, film, and cinema; films without sound, silent films, the slavery of music and the perfect symbiosis between creator, director, filmmaker, musician, and composer.”

Part 1/5

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“DJ Spooky / Paul D. Miller / That Subliminal Kid lecturing about the role of mixing, mashup, and remix culture in aesthetics, philosophy and literature, the archival impulse, the function of the archive, and modes of production, connected to technology, audio, music, video, cinema, philosophy and his latest project in Antartica about global warming, sound and hypsographic architecture.”

Part 1/8

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“It is not uncommon for a movie to harbor great music, but perhaps it is even rarer for a film to use music in such an innovative way that it enhances the story beyond what mere sound can suggest.
This list is not the best integrated sound – otherwise musicals would dominate – but the best cohesion of sound and filmmaking as conjugal storytelling,…”

The Good, the Bad, and the Ugly (1966)

Sergio Leone

Read more at www.beyondhollywood.com:

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